{"id":5804,"date":"2023-10-29T13:45:44","date_gmt":"2023-10-29T13:45:44","guid":{"rendered":"https:\/\/nagydij.capacenter.hu\/capa-grand-prize-2019-jury\/"},"modified":"2023-12-01T08:23:45","modified_gmt":"2023-12-01T08:23:45","slug":"capa-grand-prize-2019-jury","status":"publish","type":"page","link":"https:\/\/nagydij.capacenter.hu\/en\/capa-grand-prize-2019-jury\/","title":{"rendered":"Capa Grand Prize 2019 – Jury"},"content":{"rendered":"\t\t
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JURY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The awarding of the fellowships and the prize is decided by an independent jury of five renowned Hungarian and international professionals. The work of the jury is supported by a secretary, who has no right to vote. The award judging process is completed through a series of online and in-person private sessions conducted in English.<\/p>\n

The members of the Capa Grand Prize Hungary jury in 2018:<\/p>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photo: \u00c1kos D\u00e9vai<\/div>\n
G\u00e1bor Gerhes<\/h6>\n
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President of the jury, artist, university teacher<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Visual artist awarded with the Munk\u00e1csy Mih\u00e1ly award, university teacher. Between 2006 and 2015 he was an external lecturer at the Media Design major of the Moholy-Nagy University of Art and Design, and since 2010 he has given lectures at the Photography major of the Budapest Metropolitan University. He is a member of the Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge (Association of Hungarian Photographers). Since 2016, he has been the elected, full member of the Hungarian Academy of Sciences, Sz\u00e9ch\u00e9nyi Academy. His work has been awarded in numerous ways, including by the Soros Grant, E\u00f6tv\u00f6s Grant, Derkovits Grant, and the Munk\u00e1csy Award. Between 2004 and 2005, he received a creative grant from the French government for the Recollettes of Paris. In 2006, he was a fellow of the Kulturkontakt center, Vienna. In 2014, he received the main prize of AICA (International Association of Art Critics) for his exhibition titled the Neue Ordnung and presented in the Traf\u00f3 Gallery. In 2014, he was included in the selection of the best 30 Hungarian photographers compiled by the magazine Kreat\u00edv (Creative). Since 1985, he has regularly showcased exhibitions: a solo one at the Ludwig Museum, and different solo or group exhibitions at the Hall of Art (M\u0171csarnok), the National Gallery, the Museum of Fine Arts, the Robert Capa Center of Photography, as well as many other major towns of the Hungarian countryside. His works have also been displayed abroad, including in Paris (Grand Palais, Louvre-Caroussel), Montpellier (FRAC), Brussels (BOZART), Helsinki, Bratislava, Warsaw (Palace Ujazdowsky), Bucharest, Vienna, Lisbon, London (Anthony Reynolds Gallery), Trieste, Venice (Villa Manin), Berlin (Akademie der K\u00fcnste), Basel (Art Basel), Taiwan and the United States of America. His works have been purchased by the Soros Foundation in Budapest, the Ludwig Museum, the Budapest Gallery, the Hungarian National Gallery, the Museum of Fine Arts, the Hermann Ott\u00f3 Museum in Miskolc and the Miskolc Gallery, the Public Foundation for Modern Art in Duna\u00fajv\u00e1ros (Institute of Contemporary Art), the Hungarian Museum of Photography, the Art Gallery of Szombathely, the King Saint Stephen Museum in Sz\u00e9kesfeh\u00e9rv\u00e1r and the MODEM Collection in Debrecen, among others. Several of his works are owned by the Irok\u00e9z Collection and the Soml\u00f3i-Spengler collection in Hungary, the H. Ringier collection and the Kunsthaus Glarus in Switzerland, the public collection of the Stiftung DZ Bank AG in Frankfurt am Main, Germany, as well as by other Hungarian and international private collections. The artist is represented by the acb Gallery in Hungary. He lives and works in Budapest and Balatonalm\u00e1di.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Lars Boering was born 1969 in Amsterdam, the Netherlands and studied Communication Science at the University of Amsterdam. From 1998 he was photo curator and later managing director of the Amsterdam Art Foundation, buying art and photography for their large collection. In 2008 Boering became an independent advisor and entrepreneur in photography and founded Lux Photo Gallery. He has advised photographers about funding and their business models, and has worked with several partners in the publishing and advertising industries. He has taught at academies throughout the world, and has been involved as advisor and curator for festivals, museums, publishing houses and other institutions. In 2010 Boering co-founded the \u2018Photography masterclass Amsterdam for advanced storytelling\u2019 where he still teaches. Boering is an experienced keynote speaker and moderator at the highest levels. As managing director of the Dutch Photographers\u2019 association, from 2010 to 2014, Boering advised photographers on copyright issues and entrepreneurial skills. He was appointed managing director of the World Press Photo Foundation in January 2015. Lars Boering lives in Amsterdam with his wife, two sons and a daughter.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Photo: Marieke van der Velden<\/div>\n
Lars Boering<\/h6>\n
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Director of World Press Photo<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photo: Graham Lucas Commons<\/div>\n
Louise Clements<\/h6>\n
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Artistic Director of QUAD & Director of FORMAT International Photography Festival<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Louise Clements is the Artistic Director of QUAD, a centre for contemporary art, film and new technologies in Derby UK, since 2001, and the Director of FORMAT International Photography Festival, which she founded in 2004. Additionally, as an independent curator since 1998, she has initiated commissions, publications, mass participation, and exhibitions of art, film, and photography. She is a regular juror, portfolio reviewer, workshop leader, speaker, and award nominator throughout Europe, America and Asia. Clements has served as Guest Curator for numerous international exhibitions and festivals, among them Habitat Centre and Hauz Khas BlowUp (Delhi, India); Dong Gang Photography Festival (South Korea); Dali Photography Festival (China); Noorderlicht 20\/20 (Groningen, Netherlands); Photoquai Biennale (Paris); Les Rencontres Arles, Discoveries (France); Venice Biennale, EM15, and Slideluck Rome (Italy); and Photo Beijing (China). In addition to her curatorial work, she has contributed to many publications including Hijacked III, Factory and Beyond Evidence, part of the Editorial Team of RVM Magazine Italy and Archivo Magazine Portugal. She is on the advisory board of the WYNG Master Awards Hong Kong, PSC Photography MA Mentor Melbourne Australia, Camera Plus Festival Iasi Romania and the Artists Pensions Trust Global. She has served as Guest Editor and writer for publications such as OjodePez (Spain), HijackedIII (Australia), PhotoCinema (UK), 1000words, South Korean Photography Magazine and Chinese Photographers Magazine.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Oliva Mar\u00eda Rubio holds a doctorate in History and Theory of Art from Madrid\u2019s Autonomous University. Before becoming the Artistic Director in 2014, she was Director of Exhibitions at La F\u00e1brica 2004\u20132013, General Curator of PHotoEspa\u00f1a (PHE), International Festival of Photography and Visual Arts celebrated in Madrid every year (2001\u20132003) where she programmed around 60 exhibitions. She has curated exhibitions such as On the other side (Michal Rovner, Efrat Shvily, Didier Ben Loulou, Matei Glass), 2003; Luis Gordillo: Retrovisor, 2004 at Circulo de Bellas Artes, Madrid; Kimsooja: To Breathe \u2013 A Mirror Woman, Palacio de Cristal, MNCARS, Madrid, 2006; Andres Serrano: Salt on the wound, 2006, Artium, Vitoria, Tecla Sala Barcelona, PAC, Milano and C\u00edrculo de Bellas Artes, Madrid; Gabriele Basilico: Intercity, Fundaci\u00f3n Astroc, Madrid; Brassa\u00ef. Graffiti, CBA, Madrid, 2008; Dorothea Lange: The Crucial Years, Museo Colecciones ICO, Madrid; L\u00e1szl\u00f3 Moholy-Nagy: El arte de la Luz, C\u00edrculo de Bellas Artes, Madrid; Martin-Gropius-Bau, Berlin, Gemeentemuseum Den Haag, Ludwig Museum \u2013 Contemporary Art Museum, Budapest, 2010\u20132011; Cien a\u00f1os en femenino, Conde Duque, Madrid, 2012; Margaret Bourke-White: Moments in History, Martin-Gropius-Bau, Berlin, Kunstfoyer Bayern, Munich, Preus Museum, Horten\/Oslo, Syracuse University, Syracuse, EEUU, 2013-2014; Histoire, regards d\u2019artistes, H\u00f4tel des Arts, Toulon, France, 2013; El Lissitzky: The Experience of Totality, MART Rovereto-Trento, Museo Picasso M\u00e1laga and La Pedrera Barcelona, 2014. She has been curator for the \u201cGenerations. Caja Madrid Art Awards and Grants\u201d project from 2000-2012. A member of numerous juries on art and photography, including the National Photography Prize (Madrid, 2000, 2007), the European Award Women Photographers (Prato, Italy, 2002), the L\u2019Oreal Award, International Festival of Photography, Pingyao, China in 2002, the Grand Prix International de Photographie Ville de Vevey, Switzerland, 2004; The Albert Renger-Patzsch photography Award, Essen, Germany 2006; Purificaci\u00f3n Garc\u00eda Photography Award, 2008; Grand Prix Henri Cartier-Bresson, Fondation Henri Cartier-Bresson, Paris, 2009; Deutsche B\u00f6rse Photography Prize 2010\/Photogrpaher\u2019s Gallery, London 2010, and many others. She has also been a member of the Committee of Visual Arts \u201cCulture 2000 programme\u201d, European Commission, Culture, Audiovisual policy and sport, Brussels (2003), of the Purchasing committee at Fonds National d\u2019Art Contemporain (FNAC), Paris 2004-2006, and artistic advisor of the Prix de photography at Fondation HSBC pour la photograhie, Paris, 2005.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Photo: Jacopo Salvi<\/div>\n
Oliva Mar\u00eda Rubio<\/h6>\n
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Curator and Artistic Director of La F\u00e1brica<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Photo: Gergely Tarj\u00e1n<\/div>\n
Katalin Spengler<\/h6>\n
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Art collector, professional journalist, editor<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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She is a founding member of the IC-Central Europe Committee of the Pompidou Center of the Mus\u00e9e National d’Art Moderne, Paris. Between 2015 and 2017, she was a board member of the Pompidou Photography Committee. Since 2013, she has participated in the work of Tate\u2019s Russia and Eastern Europe Acquisitions Committee. She is president of MOME\u2019s Consistory. She works as the professional curator of the Art-craft-design auction of the Mosoly Foundation. From 1997 until 2016, she worked at the M\u0171\u00e9rt\u0151 M\u0171v\u00e9szeti \u00e9s M\u0171kereskedelmi Foly\u00f3irat journal of HVG, regularly publishing articles about contemporary art and the arts market. She edited three volumes of the bilingual contemporary arts album titled The Budapest Business Journal\u2019s Contemporary Art in Hungary. She has opened several contemporary arts and design exhibitions, and she regularly gives professional and educational lectures. She has been an arts collector since 1992.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Istv\u00e1n Vir\u00e1gv\u00f6lgyi studied freehand drawing, desktop publishing and photography and earned a master\u2019s degree from library and information studies at E\u00f6tv\u00f6s Lor\u00e1nd University. He worked at Origo news portal first as photo editor and then as head of photography between 2007 and 2011 after which he joined MTI Hungarian News Agency and was the head of the photo desk until 2014. He served as deputy director for professional affairs at the Robert Capa Contemporary Photography Center until the end of 2015. He is the secretary of the Robert Capa Photography Grand Prize Hungary.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Istv\u00e1n Vir\u00e1gv\u00f6lgyi<\/h6>\n
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photo editor, curator, secretary of the Capa Grand Prize Hungary<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

JURY The awarding of the fellowships and the prize is decided by an independent jury of five renowned Hungarian and international professionals. The work of the jury is supported by a secretary, who has no right to vote. The award judging process is completed through a series of online and in-person private sessions conducted in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-5804","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/pages\/5804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/comments?post=5804"}],"version-history":[{"count":4,"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/pages\/5804\/revisions"}],"predecessor-version":[{"id":6131,"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/pages\/5804\/revisions\/6131"}],"wp:attachment":[{"href":"https:\/\/nagydij.capacenter.hu\/en\/wp-json\/wp\/v2\/media?parent=5804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}